“I always wanted to see why Captain America was on this team of Avengers. He’s got to have a reason — he can’t just be really fast and punch really hard. Now, he’s much more aggressive, and he looks more lethal.”
B.B. King, one of the most influential blues players of all time, has passed away at the age of 89. B.B. King has been inspirational to a countless number of musicians, from big stadium filler bands to bedroom guitar players. The way King plays his guitar spoke to the hearts of millions, and will certainly never be forgotten. The beautiful thing about music is that King’s legacy will never fade, and he will always be held in high regard as one of the most important figures in modern music history.
We will never forget you B.B. King, you’re the King of Blues, and you always will be. Rest in peace.
Here we have Captain America decapitating an Ultron drone by drop-kicking his own shield through the drone’s neck.
i love how he planks and then falls straight to the ground. i’m dying
I feel like no one ever taught Cap how to fight – certainly before, when he was asthmatic and looked like he would snap in two if you pushed him too hard, and then once he became Captain America everyone just assumed anyone that buff already knew what he was about – and Steve was too embarrassed to actually say anything, so he just made up his own style that basically involves bodily throwing himself on top of people
as an rper, i don’t mind having an rp partner who takes forever replying to stuff, or isn’t always spamming me with headcanons and aus and drowning in feels with me 24/7. it’s totally fine if sometimes your muse goes dormant and i definitely get it and you don’t have to be enthusiastic all the time with me. i get that sometimes muses are unbelievably loud but during other times they just refuse to cooperate. as long as you’re still passionate about the character that you’re playing and you’re still into our plot, then it’s cool with me.
Captain America: The First Avenger // Commentary by director Joe Johnston, cinematographer Shelly Johnson and editor Jeffrey Ford
One thing we found, too, while moving the cameras, is that Chris can run very fast. He’s a very, very fast runner. He’s very fast, and he also has a very unique run. I mean, it’s almost a dancer’s run. And when we tried to double him for running, there was nobody who could run like him. They just didn’t have the same dynamics or the way he moves, and he had to end up doing most of his own running.
